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      <image:caption>“La Cruz de Clavos” (Cross of Nails), U.S/Mexico border at Ciudad Juárez, photographer Valeria Puertas.</image:caption>
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    <loc>https://www.mlsjrnl.com/article3-vol51</loc>
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      <image:title>Disenchanting the Literary: Genre and Craft in the Creative Writing Workshop by Patrick Thomas Henry - Patrick thomas henry</image:title>
      <image:caption>Patrick Thomas Henry is the Associate Editor for Fiction and Poetry at Modern Language Studies. His fiction and essays have recently appeared in publications including CHEAP POP, LandLocked, Lake Effect, and Passages North, amongst others, and his work was selected for inclusion in Best Microfiction 2020. He is a Teaching Assistant Professor and Coordinator of Creative Writing in the English Department at the University of North Dakota. You can find him online at patrickthomashenry.com or on Twitter @Patrick_T_Henry.</image:caption>
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    <loc>https://www.mlsjrnl.com/article4-vol51</loc>
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    <lastmod>2022-02-11</lastmod>
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      <image:title>Crime Fiction in the Creative Writing Classroom by Michelle Pretorius - Michelle Pretorius</image:title>
      <image:caption>Michelle Pretorius is the South African-born author of The Monster's Daughter which won the 2017 Friends of American Writers Literary Prize as well as being an American Booksellers Association Debut Voices pick. She is published in multiple genres and has received a Pushcart Nomination for her short fiction. Michelle holds a B.A. from the University of the Free State in South Africa, a MFA in Fiction Writing from Columbia College, and a Ph.D. in Creative Writing from Ohio University.</image:caption>
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    <loc>https://www.mlsjrnl.com/article2-vol51</loc>
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    <lastmod>2022-02-17</lastmod>
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      <image:title>Re-thinking Genre Boundaries: An Inclusive Pedagogy by Audrey T. Heffers - Audrey t. heffers</image:title>
      <image:caption>Audrey T. Heffers, who also writes under Audrey T. Carroll, is a Best of the Net nominee, the editor of Musing the Margins: Essays on Craft (Human/Kind Press, 2020), and the author of Queen of Pentacles (Choose the Sword Press, 2016). Her work has been published or is forthcoming in (mac)ro(mic), Miracle Monocle, The Broken Plate, Elsewhere: A Journal of Place, So to Speak, and others. She is a bi/queer and disabled/chronically ill writer who serves as a Diversity &amp; Inclusion Editor for the Journal of Creative Writing Studies. Her scholarly interests include marginalized perspectives on narrative craft, Gender Studies, Queer Studies, Bisexuality Studies, Creative Writing Studies, and inclusive pedagogy. She can be found at http://audreytcarrollwrites.weebly.com and @AudreyTCarroll on Twitter, Facebook, and Instagram.</image:caption>
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    <loc>https://www.mlsjrnl.com/article1-vol51</loc>
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      <image:title>Vampires, Zombies, Bodices, and Perps: Genre in Creative Writing by Abby Bardi - Abby bardi</image:title>
      <image:caption>Abby Bardi is the author of the novels The Book of Fred (also published in France as Le Livre de Fred), The Secret Letters, and Double Take. Her short fiction has appeared in journals including Quarterly West and The Bellingham Review, where her story "Abu the Water Carrier" was the winner of the Bellingham Review's 2016 Tobias Wolff Award for Fiction. Her stories have also appeared in fiction anthologies such as High Infidelity: 24 Great Short Stories about Adultery, New Stories from the Midwest 2018, and The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell. She is a Collegiate Professor at the University of Maryland Global Campus and the NeMLA Board Area Chair for Creative Writing, Editing, and Publishing. She lives in Ellicott City, Maryland, the oldest train depot in the United States.</image:caption>
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      <image:caption>2024-2025 RATES Institutions: $78.00 International Shipping: $40.00 Single Copies (Vol. 35 and on):     $34.00 for institutions     $24.00 for individuals     $18.00 for NEMLA members     $23.00 for international shipping Subscription agencies receive a 10% discount ($70.20, plus $40.00 for international shipping if applicable). To subscribe online, go to www.mlsjrnl.com/subscribe. Send all other subscription inquiries, address changes, and payments to: Modern Language Studies Attn.: Subscriptions Susquehanna University, Box 1861 514 University Avenue Selinsgrove, PA 17870.</image:caption>
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    <lastmod>2022-02-18</lastmod>
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      <image:title>Article 5 - Mardorossian &amp; Valente - Carine Mardorossian</image:title>
      <image:caption>Carine Mardorossian is Professor of English at the University at Buffalo, SUNY where she specializes in feminist studies, postcolonial studies, and the medical humanities. She is the author of Reclaiming Difference: Caribbean Women Rewrite Postcolonialism (University of Virginia Press, 2005) and Framing the Rape Victim: Gender and Agency Reconsidered (Rutgers University Press, 2014, and winner of the 2016 Nonfiction Category from The Authors’ Zone). She is also co-author with Christopher Kerr of Death Is But a Dream: Finding Hope and Meaning at Life’s End (Penguin 2020), a work of creative nonfiction that reveals the centrality of the humanities to fields of specialized knowledge like medicine. She is currently writing a book manuscript entitled “Toxic Femininity.”</image:caption>
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      <image:caption>Joseph Valente is UB Distinguished Professor of English and Disability Studies at the University at Buffalo. He is the Vice President of the Northeastern Modern Language Association and the author of The Myth of Manliness in Irish Nationalist Culture, 1880-1922 (University of Illinois Press, 2011), Dracula’s Crypt: Bram Stoker, Irishness and the Question of Blood (University of Illinois Press, 2002, 2012), and James Joyce and the Problem of Justice: Negotiating Sexual and Colonial Difference (Cambridge University Press 1995, 2009). He is the co-author with Margot Backus of The Child Sex Scandal and Modern Irish Literature: Writing the Unspeakable (Indiana University Press, 2020) and his edited collections include Quare Joyce (University of Michigan Press, 1997), Disciplinarity at the Fin-de Siecle (with Amanda Anderson, Princeton University Press, 2002), Urban Ireland (a special issue of Eire-Ireland) Joyce and Homosexuality (a special issue of the James Joyce Quarterly), Yeats and Afterwords (with Marjorie Howes, Notre Dame University Press, 2014), and Ireland in Psychoanalysis (with Seán Kennedy and Macy Todd, a special issue of Breac).</image:caption>
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      <image:title>Presidents Letter 2/2023</image:title>
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    <lastmod>2023-02-28</lastmod>
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    <lastmod>2023-08-18</lastmod>
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    <lastmod>2023-08-19</lastmod>
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    <lastmod>2023-08-19</lastmod>
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    <lastmod>2023-02-28</lastmod>
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      <image:title>Closet Poets - Poetic Photography - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/e8a0fe04-f71b-4c7f-8563-9172749eb27d/2-Golden+Canyon.jpg</image:loc>
      <image:title>Closet Poets - Poetic Photography - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/aec5c5ff-6d39-43ef-9964-afe3b7bd06a6/3-New+Harmony.jpg</image:loc>
      <image:title>Closet Poets - Poetic Photography - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/dc01373f-e722-4882-808e-45bd5db7b83f/4-Solitary+Palm.jpg</image:loc>
      <image:title>Closet Poets - Poetic Photography - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.mlsjrnl.com/resistance</loc>
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    <lastmod>2024-08-21</lastmod>
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    <lastmod>2024-08-26</lastmod>
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      <image:title>A Wide Lens - Make it stand out</image:title>
      <image:caption>A stack of books from our banned book corpus that have been repeatedly challenged or banned.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/77a17d08-a5a4-4326-bc5b-9b8f56af81c1/dariusthegreatcover.png</image:loc>
      <image:title>A Wide Lens - Make it stand out</image:title>
      <image:caption>Book cover of Adib Khorram's "Darius the Great Deserves Better," a book that has been challenged and banned.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/faabdb4f-f043-46e3-9c5a-4563cd8d99ef/books.jpg</image:loc>
      <image:title>A Wide Lens - Make it stand out</image:title>
      <image:caption>A box featuring a variety of book spines from our corpus after the digitization process.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/e59b4838-e905-4c5d-90f7-878de9209d2b/graph.png</image:loc>
      <image:title>A Wide Lens - Make it stand out</image:title>
      <image:caption>Two pie charts depicting how many covers from our partial dataset features male, female, or ambiguous figures, or white, nonwhite, or ambiguous figures.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.mlsjrnl.com/544banning</loc>
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    <lastmod>2024-08-21</lastmod>
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    <lastmod>2024-08-21</lastmod>
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      <image:title>Spiegelman on Trial: A Defense of Maus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.mlsjrnl.com/544novelnarratives</loc>
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    <lastmod>2024-08-21</lastmod>
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      <image:title>Novel Narratives - Make it stand out</image:title>
      <image:caption>Figure 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/2a920cbf-3db0-4cee-b1ca-27026f40322a/Figure_2.png</image:loc>
      <image:title>Novel Narratives - Make it stand out</image:title>
      <image:caption>Figure 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/93239143-47e8-4a83-a84c-99d5db09434e/Figure_3.png</image:loc>
      <image:title>Novel Narratives - Make it stand out</image:title>
      <image:caption>Figure 3</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.mlsjrnl.com/bannedbooks</loc>
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    <lastmod>2025-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/b6215b71-f055-445c-bb20-6b0ab554c5bb/genderqueercover.jpg</image:loc>
      <image:title>Banned Books - Novel Narratives: Banned Book Representation in the Age of the PEN Index</image:title>
      <image:caption>Karoline Schaufler, Temple University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/4aa23111-c71c-4085-a0a0-e1443b81aa62/Bluest+Eye+Book+Cover+Crop</image:loc>
      <image:title>Banned Books - Banning Black Consciousness: The Bluest Eye as “Poetic Knowledge”</image:title>
      <image:caption>Casandra Aigbogun, University of Georgia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/7f42e5cd-0c9f-43c5-8781-4572681ad38e/mausimage.jpg</image:loc>
      <image:title>Banned Books - Spiegelman on Trial: A Defense of Maus</image:title>
      <image:caption>Makayla Barrett, Middle Tennessee State University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/aa1952ce-bf82-45e8-ac00-877fb077cf5c/corpusbannedbooks.jpg</image:loc>
      <image:title>Banned Books - A Wide Lens: Using Digital Humanities to Study a Corpus of Banned Books</image:title>
      <image:caption>SaraGrace Stefan and Lara Mangino, Temple University</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.mlsjrnl.com/visual-loudness</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/fe445cdc-46d7-4cab-a90c-610e09d3e95d/cross.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/b101cb3b-e13c-4866-966c-10a855042329/mlsmain_image1.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>Pesquisa for Diana Corina Medrano in downtown Juárez. Photograph by Laila Espinoza, July 23, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/186332dd-b694-498a-98e0-41cb907c5349/mlsmain_image2.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>“STOP MAKILLAS” Graffiti tag on Maquiladora Headquarters, Ciudad Juárez. Photographer unknown. yocuidadano.com.mx. Accessed May 20, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/21e42445-47d0-4a16-bb22-83995e0ddf3e/mlsmain_image3.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>Mega Memorial Mural in Ciudad Juárez. Photographer Lluviadelrayo. From her Los Rostros del Feminicidio website. Accessed Nov. 6, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/9f297c72-fa42-4dd2-861a-241a4a2acd38/mlsmain_image4.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>Lomas De Poleo Memorial, Ciudad Juárez. Photographer Herika Marinez (AFP). “La Opinion,” Dec. 5, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/88860095-2d79-4365-be06-d2b5070d03a7/mlsmain_image5.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>Campo Algodonero (Cotton Fields) — across the street from the Maquiladora Headquarters, Ciudad Juárez. Photographer unknown. “The Feminist Wire,” Dec. 3, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/c9df3656-4aa6-4ad0-9b1e-75dbff697cd9/mlsmain_image6.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>“Arroyo Del Navajo,” Ciudad Juárez. Photographer Rey R. Jauregui. “La Verdad,” Dec. 28, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/0c9ef046-15aa-4cf9-86db-5c7419865c4b/mlsmain_image7.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>Home altar for missing girl in Ciudad Juárez, photograph by Mayra Martell, 2005–20 series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/89ac83ab-9ac9-4cb5-a27d-f5619e16bd92/mlsmain_image8.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>“Huipil Fronterizo” (Border Huipil), made by Laila Espinoza. Performance in Ciudad Juárez, 2016. Photograph by Valeria Puertas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/8802bfd5-bbbf-4b0f-b65d-c5d2bc28bb78/mlsmain_image9.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>“Border Huipil,” performing the removal of the “reward for lost laptop” ads taped on the pesquisa altar in memory and in search for Esmeralda Castillo Rincon, who has been missing for more than fifteen years. Ciudad Juárez. Photographer Valeria Puertas, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/8c1fe0d9-cd0e-46a3-a434-97d935415415/mlsmain_image10.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>“Y LAS MUERES DE MI CIUDAD?” graffiti tag, Ciudad Juárez. Photographer Laila Espinoza, June 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e7022562564733392a4645/1d55f1b1-ade0-4bd2-ac98-4f6ed312d94e/mlsmain_image11.jpg</image:loc>
      <image:title>Visual Loudness - Make it stand out</image:title>
      <image:caption>Magenta pink cross planted at the site where the body of Brenda Patrica was found, Ciudad Juárez. Photograph by Itzel Aguilera. “Pie de Pagina,” May 26, 2021.</image:caption>
    </image:image>
  </url>
</urlset>

